{"id":1866,"date":"2025-03-19T11:27:27","date_gmt":"2025-03-19T11:27:27","guid":{"rendered":"https:\/\/www.gerardoguerrieri.com\/?page_id=1866"},"modified":"2025-06-25T21:37:58","modified_gmt":"2025-06-25T21:37:58","slug":"accadde-a-roma","status":"publish","type":"page","link":"https:\/\/www.gerardoguerrieri.com\/en\/accadde-a-roma\/","title":{"rendered":"Stanza 3. Accadde a Roma"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1866\" class=\"elementor elementor-1866\">\n\t\t\t\t<div class=\"elementor-element elementor-element-6b80c08 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-parent\" data-id=\"6b80c08\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-3a39984 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"3a39984\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-bf3e9d7 elementor-widget elementor-widget-image\" data-id=\"bf3e9d7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina-stanza_-3-.jpg\" data-elementor-open-lightbox=\"yes\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjc4NCwidXJsIjoiaHR0cHM6XC9cL3d3dy5nZXJhcmRvZ3VlcnJpZXJpLmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDNcL2NvcGVydGluYS1zdGFuemFfLTMtLmpwZyJ9\">\n\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"619\" src=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina-stanza_-3-.jpg\" class=\"attachment-large size-large wp-image-2784\" alt=\"Una panoramica di un \u201cPalaeur\u201d gremito per lo spettacolo di Moiseev. L\u2019evento travalica i confini della semplice rappresentazione teatrale, raggiungendo nelle otto giornate di repliche al Palazzo dello Sport, il record di 80 mila spettatori. Roma, Palazzo dello Sport 23-30 ottobre 1962.\" srcset=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina-stanza_-3-.jpg 800w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina-stanza_-3--300x232.jpg 300w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina-stanza_-3--768x594.jpg 768w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina-stanza_-3--16x12.jpg 16w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">An image of a packed \u2018Palaeur\u2019 for Moiseev's show.\nThe event transcended the boundaries of a simple theatrical performance, reaching a record 80 thousand spectators during the eight days of performances at the Palazzo dello Sport. Rome, Palazzo dello Sport 23-30 October 1962.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0ac6682 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"0ac6682\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ce9033c elementor-widget elementor-widget-heading\" data-id=\"ce9033c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">virtual exhibit <b>Room three<\/b><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6b9b675 elementor-widget elementor-widget-heading\" data-id=\"6b9b675\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">It happened in Rome<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5936311 elementor-widget elementor-widget-text-editor\" data-id=\"5936311\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>\u2018We want to tell of an era in which the boundaries between genres are collapsing and new forms are being announced: to propose a confrontation between tradition and innovation, between established values and new topics, to initiate a debate on the new themes that the poetry of the stage in all its forms is taking on in our time\u2019. (Gerardo Guerrieri, Premio Roma \u201869 manifesto)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-495c3ea DescText e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"495c3ea\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-e616d76 e-flex e-con-boxed wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"e616d76\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-25ae9c8 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"25ae9c8\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-82043bc elementor-widget elementor-widget-heading\" data-id=\"82043bc\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><b style=\"font-weight:400;color:#821736\">Speech to an associate sleeping in his armchair <\/b><br><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fdf57d8 elementor-widget__width-initial txtDesc elementor-widget elementor-widget-text-editor\" data-id=\"fdf57d8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>This text belongs to the playbill of the <em>Teatro Club<\/em> in the year 1957. The <em>ironic pamphlet, <\/em>with an evocative title \"<em>Speech to an associate sleeping in his armchair<\/em>is a sort of \"statement of intent\" to make Rome a European capital of theatre, like London, Paris, Berlin.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-c991ebc e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"c991ebc\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b6b2152 elementor-widget elementor-widget-html\" data-id=\"b6b2152\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe width=\"560\" height=\"315\"\r\n  src=\"https:\/\/www.youtube.com\/embed\/PdZpUo4IvFU?cc_load_policy=1&cc_lang_pref=it\"\r\n  title=\"YouTube video player\"\r\n  frameborder=\"0\"\r\n  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\"\r\n  allowfullscreen>\r\n<\/iframe>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-9082e2c e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"9082e2c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-4e4b5c7 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"4e4b5c7\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-db9c900 elementor-widget elementor-widget-heading\" data-id=\"db9c900\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><b style=\"font-weight:400;color:#821736\">It happened in Rome<\/b><br>\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7d1404 elementor-widget__width-initial txtDesc elementor-widget elementor-widget-text-editor\" data-id=\"b7d1404\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Against the backdrop of a Rome that has been distant so far from the initiatives of renewal of the Italian theatre, spectators are immediately surprised and attracted by this new and unexpected presence of other worlds hosted sometimes in unusual places.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6f0c980 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"6f0c980\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-e1c8527 elementor-widget elementor-widget-video\" data-id=\"e1c8527\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/youtu.be\\\/bHIy6fmFeRk&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-470ebb7 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"470ebb7\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3a39c28 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"3a39c28\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-76ded74 elementor-widget elementor-widget-heading\" data-id=\"76ded74\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><b style=\"font-weight:400;color:#821736\">Gallery 1:<\/b> FRIENDS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-6fa71ed e-con-full boxFoto e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"6fa71ed\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-7aab818 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"7aab818\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-3408036 elementor-widget__width-initial txtDesc elementor-widget elementor-widget-text-editor\" data-id=\"3408036\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Giulietta Masina had known Gerardo Guerrieri since 1940 when he was a director in the experimental theatre of the Fascist university group in Rome, and she was a young actress making her debut with <em>The Happy Journey to Trenton and Camden<\/em> by Thornton Wilder. The photo depicts an evening dedicated to Eugene Ionesco, which took place on April 20 1958 at the Teatro Quirino in Rome with the participation of renowned men and women belonging to the world of theatre.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-06c3d39 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"06c3d39\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-632a618 elementor-widget elementor-widget-image\" data-id=\"632a618\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/amici_copertina.jpg\" data-elementor-open-lightbox=\"yes\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgxNywidXJsIjoiaHR0cHM6XC9cL3d3dy5nZXJhcmRvZ3VlcnJpZXJpLmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDNcL2FtaWNpX2NvcGVydGluYS5qcGcifQ%3D%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"779\" height=\"1024\" src=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/amici_copertina-779x1024.jpg\" class=\"attachment-large size-large wp-image-2817\" alt=\"\" srcset=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/amici_copertina-779x1024.jpg 779w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/amici_copertina-228x300.jpg 228w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/amici_copertina-768x1009.jpg 768w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/amici_copertina-9x12.jpg 9w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/amici_copertina.jpg 800w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8949b67 elementor-widget elementor-widget-text-editor\" data-id=\"8949b67\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>In order to give birth to the unprecedented initiative <em>Teatro Club<\/em> Gerardo Guerrieri and Anne d'Arbeloff gathered the most well-known stage people with whom they had close working relationships and friendships. Their initiative was intended to create new viewers, going  beyond the logic of enlarging the general theatre audience.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-423954c e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"423954c\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-7bc2e23 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"7bc2e23\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f406c19 elementor-widget elementor-widget-heading\" data-id=\"f406c19\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><b style=\"font-weight:400;color:#821736\">Gallery 2:<\/b> STRATEGIES AND INVENTIONS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-bb483c6 e-con-full boxFoto e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"bb483c6\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-10e570b e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"10e570b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d290c4f elementor-widget__width-initial txtDesc elementor-widget elementor-widget-text-editor\" data-id=\"d290c4f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>List of members of the promotional Committee <em>Teatro Club<\/em> in the Teatro Club first playbill.<\/strong><strong>\u00a0<\/strong>It includes illustrious names from the world of entertainment and culture, friends and supporters of the project.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-d9e96a3 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"d9e96a3\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-b336f77 elementor-widget elementor-widget-image\" data-id=\"b336f77\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina_strategie.jpg\" data-elementor-open-lightbox=\"yes\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MjgyNywidXJsIjoiaHR0cHM6XC9cL3d3dy5nZXJhcmRvZ3VlcnJpZXJpLmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDNcL2NvcGVydGluYV9zdHJhdGVnaWUuanBnIn0%3D\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1004\" height=\"1024\" src=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina_strategie-1004x1024.jpg\" class=\"attachment-large size-large wp-image-2827\" alt=\"\" srcset=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina_strategie-1004x1024.jpg 1004w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina_strategie-294x300.jpg 294w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina_strategie-768x784.jpg 768w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina_strategie-1506x1536.jpg 1506w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina_strategie-2007x2048.jpg 2007w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina_strategie-12x12.jpg 12w\" sizes=\"(max-width: 1004px) 100vw, 1004px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-eac67f1 elementor-widget elementor-widget-text-editor\" data-id=\"eac67f1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>The most ambitious goal of <em>Teatro Club<\/em>, to create dialogues and relations between the theatrical realities of European and non-European countries, was faced with the scarcity of economic resources. To overcome this obstacle, Anne and Gerardo adopted strategies that were quite unusual at the time: the decision to address the channels of cultural exchanges supported by foreign embassies and cultural institutes, and the focus on the process of producing performances. Thus were born lecture-performances, recital-collages, initiatives that were unknown at the time.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-b23de5b e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"b23de5b\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-1c63011 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"1c63011\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a674381 elementor-widget elementor-widget-heading\" data-id=\"a674381\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><b style=\"font-weight:400;color:#821736\">Gallery 3:<\/b> THE TREE GROWS<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-834ee47 e-con-full boxFoto e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"834ee47\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t<div class=\"elementor-element elementor-element-01ee2e4 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"01ee2e4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d0ac74a elementor-widget__width-initial txtDesc elementor-widget elementor-widget-text-editor\" data-id=\"d0ac74a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>The young people's Teatro Club<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-1be27d9 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"1be27d9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-59d8b72 elementor-widget elementor-widget-image\" data-id=\"59d8b72\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a href=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/Albero_copertina.jpg\" data-elementor-open-lightbox=\"yes\" data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6Mjg0OSwidXJsIjoiaHR0cHM6XC9cL3d3dy5nZXJhcmRvZ3VlcnJpZXJpLmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNVwvMDNcL0FsYmVyb19jb3BlcnRpbmEuanBnIn0%3D\">\n\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"733\" height=\"1024\" src=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/Albero_copertina-733x1024.jpg\" class=\"attachment-large size-large wp-image-2849\" alt=\"\" srcset=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/Albero_copertina-733x1024.jpg 733w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/Albero_copertina-215x300.jpg 215w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/Albero_copertina-768x1073.jpg 768w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/Albero_copertina-9x12.jpg 9w, https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/Albero_copertina.jpg 800w\" sizes=\"(max-width: 733px) 100vw, 733px\" \/>\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ac3807d elementor-widget elementor-widget-text-editor\" data-id=\"ac3807d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>The extraordinary contribution of 4 million allocated by the Ministry marks a turning point for the Teatro Club, giving rise to the Teatro Club Giovani. Anne d'Arbeloff makes it a pedagogical mission: to bring new generations closer to the classics - Shakespeare, De Musset, Corneille - through simultaneous translation, already a hallmark of the <em>Teatro Club<\/em>. The 1962-63 season introduced a further innovation: <em>the Popular Teatro Club<\/em>. The aim is to break down the barrier between elite theatre and city audiences. In 1969, the Premio Roma was born from the crucible of the Teatro Club, designed to boost theatrical experimentation. The arrival of the <em>Bread and Puppet Theater<\/em><em>, <\/em>Peter Weiss, Merce Cunningham, the Odin Teatret and Bob Wilson. The impulse of this revolutionary theatre will deeply mark the Italian theatre scene, leaving an enduring imprint.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-5f0bfb4 e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no wpr-column-slider-no wpr-equal-height-no e-con e-child\" data-id=\"5f0bfb4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-8275eda elementor-align-left elementor-widget__width-initial elementor-widget elementor-widget-button\" data-id=\"8275eda\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/www.gerardoguerrieri.com\/en\/gerardo-e-anne\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Visit the previous room<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5a9e890 elementor-align-right elementor-widget__width-initial elementor-widget elementor-widget-button\" data-id=\"5a9e890\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/www.gerardoguerrieri.com\/en\/oh-america\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Visit the next room <\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Una panoramica di un \u201cPalaeur\u201d gremito per lo spettacolo di Moiseev. L\u2019evento travalica i confini della semplice rappresentazione teatrale, raggiungendo nelle otto giornate di repliche al Palazzo dello Sport, il record di 80 mila spettatori. Roma, Palazzo dello Sport 23-30 ottobre 1962. mostra virtuale: Stanza tre Accadde a Roma \u00abVogliamo raccontare un&#8217;epoca in cui le frontiere fra i generi crollano e nuove forme si annunciano: proporre un confronto fra tradizioni e novit\u00e0, tra valori affermati e argomenti nuovi, avviare un discorso sui nuovi temi che va prendendo nel nostro tempo la poesia dello spettacolo in tutte le sue forme\u00bb. (Gerardo Guerrieri, manifesto del Premio Roma \u201969) Discorso ad un socio addormentato in poltrona Il testo appartiene al programma di sala del Teatro Club del 1957. Il pamphlet ironico dal titolo emblematico \u201cDiscorso ad un socio addormentato in poltrona\u201d \u00e8 una sorta di manifesto dell\u2019intenzione di fare di Roma una capitale europea del teatro, come Londra, Parigi, Berlino. Accadde a Roma Sullo sfondo di una Roma finora lontana dalle iniziative di rinnovamento del teatro italiano gli spettatori sono subito sorpresi e attratti da questa nuova ed inaspettata visita di altri mondi ospitati talvolta in luoghi inconsueti. https:\/\/youtu.be\/bHIy6fmFeRk Gallery 1: GLI AMICI Giulietta Masina conosceva Gerardo Guerrieri sin dal 1940 quando lui, regista del teatro sperimentale del gruppo universitario fascista di Roma, e lei, giovane attrice esordiente, avevano debuttato con Felice Viaggio di Thornton Wilder. La foto fa parte della serata dedicata a Eugene Ionesco, che si svolse il 20 aprile 1958 al Teatro Quirino di Roma con la partecipazione di illustri uomini e donne del teatro. Per far nascere l\u2019inedita iniziativa Teatro Club Gerardo Guerrieri e Anne d\u2019Arbeloff coinvolsero gli uomini di spettacolo pi\u00f9 famosi con cui avevano stretti rapporti di lavoro e amicizia. La loro iniziativa avrebbe dovuto creare nuovi spettatori oltre la logica dell\u2019allargamento del pubblico teatrale. Gallery 2: STRATEGIE E INVENZIONI Elenco del Comitato promotore del Teatro Club presente nel primo programma.\u00a0Vi figurano nomi illustri del mondo dello spettacolo e della cultura, amici e sostenitori del progetto. L\u2019obiettivo pi\u00f9 ambizioso del Teatro Club, creare dialoghi e relazioni tra le realt\u00e0 teatrali dei paesi europei ed extraeuropei, si scontrava con l\u2019esiguit\u00e0 delle risorse economiche. Per aggirare questo ostacolo, Anne e Gerardo adottarono strategie allora del tutto inconsuete: la scelta di rivolgersi ai canali degli scambi culturali sostenuti dalle ambasciate e dagli Istituti di cultura stranieri e l\u2019attenzione rivolta ai processi di costruzione degli spettacoli. Nacquero cos\u00ec le conferenze- spettacolo, i recital-collage, iniziative allora sconosciute. Gallery 3: L\u2019ALBERO CRESCE Teatro club dei giovani Il contributo straordinario di 4 milioni stanziato dal Ministero segna una svolta per il Teatro Club, dando origine al\u00a0Teatro Club Giovani. Anne d\u2019Arbeloff ne fa una missione pedagogica: avvicinare le nuove generazioni ai classici \u2013 Shakespeare, De Musset, Corneille \u2013 attraverso la traduzione simultanea, gi\u00e0 cifra distintiva del Teatro Club. La stagione 1962-63 introduce un\u2019ulteriore innovazione: il\u00a0Teatro Club Popolare. L\u2019obiettivo \u00e8 abbattere la barriera tra teatro d\u2019\u00e9lite e pubblico cittadino. Nel 1969 dal crogiolo del Teatro Club nasce il Premio Roma, destinato a dare impulso alla sperimentazione teatrale. Ne sono emblema l\u2019arrivo del Bread and Puppet Theater, Peter Weiss, Merce Cunningham, l\u2019Odin Teatret e Bob Wilson. L\u2019impulso di questo teatro rivoluzionario segner\u00e0 profondamente la scena teatrale italiana, lasciandovi un&#8217;impronta indelebile. Visita la stanza precedente Visita la stanza successiva<\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":"","_members_access_role":[],"_members_access_error":""},"wf_page_folders":[16],"class_list":["post-1866","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Stanza 3. Accadde a Roma - Associazione culturale Gerardo Guerrieri<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.gerardoguerrieri.com\/en\/accadde-a-roma\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Stanza 3. Accadde a Roma - Associazione culturale Gerardo Guerrieri\" \/>\n<meta property=\"og:description\" content=\"Una panoramica di un \u201cPalaeur\u201d gremito per lo spettacolo di Moiseev. L\u2019evento travalica i confini della semplice rappresentazione teatrale, raggiungendo nelle otto giornate di repliche al Palazzo dello Sport, il record di 80 mila spettatori. Roma, Palazzo dello Sport 23-30 ottobre 1962. mostra virtuale: Stanza tre Accadde a Roma \u00abVogliamo raccontare un&#8217;epoca in cui le frontiere fra i generi crollano e nuove forme si annunciano: proporre un confronto fra tradizioni e novit\u00e0, tra valori affermati e argomenti nuovi, avviare un discorso sui nuovi temi che va prendendo nel nostro tempo la poesia dello spettacolo in tutte le sue forme\u00bb. (Gerardo Guerrieri, manifesto del Premio Roma \u201969) Discorso ad un socio addormentato in poltrona Il testo appartiene al programma di sala del Teatro Club del 1957. Il pamphlet ironico dal titolo emblematico \u201cDiscorso ad un socio addormentato in poltrona\u201d \u00e8 una sorta di manifesto dell\u2019intenzione di fare di Roma una capitale europea del teatro, come Londra, Parigi, Berlino. Accadde a Roma Sullo sfondo di una Roma finora lontana dalle iniziative di rinnovamento del teatro italiano gli spettatori sono subito sorpresi e attratti da questa nuova ed inaspettata visita di altri mondi ospitati talvolta in luoghi inconsueti. https:\/\/youtu.be\/bHIy6fmFeRk Gallery 1: GLI AMICI Giulietta Masina conosceva Gerardo Guerrieri sin dal 1940 quando lui, regista del teatro sperimentale del gruppo universitario fascista di Roma, e lei, giovane attrice esordiente, avevano debuttato con Felice Viaggio di Thornton Wilder. La foto fa parte della serata dedicata a Eugene Ionesco, che si svolse il 20 aprile 1958 al Teatro Quirino di Roma con la partecipazione di illustri uomini e donne del teatro. Per far nascere l\u2019inedita iniziativa Teatro Club Gerardo Guerrieri e Anne d\u2019Arbeloff coinvolsero gli uomini di spettacolo pi\u00f9 famosi con cui avevano stretti rapporti di lavoro e amicizia. La loro iniziativa avrebbe dovuto creare nuovi spettatori oltre la logica dell\u2019allargamento del pubblico teatrale. Gallery 2: STRATEGIE E INVENZIONI Elenco del Comitato promotore del Teatro Club presente nel primo programma.\u00a0Vi figurano nomi illustri del mondo dello spettacolo e della cultura, amici e sostenitori del progetto. L\u2019obiettivo pi\u00f9 ambizioso del Teatro Club, creare dialoghi e relazioni tra le realt\u00e0 teatrali dei paesi europei ed extraeuropei, si scontrava con l\u2019esiguit\u00e0 delle risorse economiche. Per aggirare questo ostacolo, Anne e Gerardo adottarono strategie allora del tutto inconsuete: la scelta di rivolgersi ai canali degli scambi culturali sostenuti dalle ambasciate e dagli Istituti di cultura stranieri e l\u2019attenzione rivolta ai processi di costruzione degli spettacoli. Nacquero cos\u00ec le conferenze- spettacolo, i recital-collage, iniziative allora sconosciute. Gallery 3: L\u2019ALBERO CRESCE Teatro club dei giovani Il contributo straordinario di 4 milioni stanziato dal Ministero segna una svolta per il Teatro Club, dando origine al\u00a0Teatro Club Giovani. Anne d\u2019Arbeloff ne fa una missione pedagogica: avvicinare le nuove generazioni ai classici \u2013 Shakespeare, De Musset, Corneille \u2013 attraverso la traduzione simultanea, gi\u00e0 cifra distintiva del Teatro Club. La stagione 1962-63 introduce un\u2019ulteriore innovazione: il\u00a0Teatro Club Popolare. L\u2019obiettivo \u00e8 abbattere la barriera tra teatro d\u2019\u00e9lite e pubblico cittadino. Nel 1969 dal crogiolo del Teatro Club nasce il Premio Roma, destinato a dare impulso alla sperimentazione teatrale. Ne sono emblema l\u2019arrivo del Bread and Puppet Theater, Peter Weiss, Merce Cunningham, l\u2019Odin Teatret e Bob Wilson. L\u2019impulso di questo teatro rivoluzionario segner\u00e0 profondamente la scena teatrale italiana, lasciandovi un&#8217;impronta indelebile. Visita la stanza precedente Visita la stanza successiva\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.gerardoguerrieri.com\/en\/accadde-a-roma\/\" \/>\n<meta property=\"og:site_name\" content=\"Associazione culturale Gerardo Guerrieri\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/people\/Gerardo-Guerrieri\/100063656282393\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-25T21:37:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.gerardoguerrieri.com\/wp-content\/uploads\/2025\/03\/copertina-stanza_-3-.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"619\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.gerardoguerrieri.com\\\/accadde-a-roma\\\/\",\"url\":\"https:\\\/\\\/www.gerardoguerrieri.com\\\/accadde-a-roma\\\/\",\"name\":\"Stanza 3. 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Accadde a Roma - Associazione culturale Gerardo Guerrieri","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.gerardoguerrieri.com\/en\/accadde-a-roma\/","og_locale":"en_GB","og_type":"article","og_title":"Stanza 3. Accadde a Roma - Associazione culturale Gerardo Guerrieri","og_description":"Una panoramica di un \u201cPalaeur\u201d gremito per lo spettacolo di Moiseev. L\u2019evento travalica i confini della semplice rappresentazione teatrale, raggiungendo nelle otto giornate di repliche al Palazzo dello Sport, il record di 80 mila spettatori. Roma, Palazzo dello Sport 23-30 ottobre 1962. mostra virtuale: Stanza tre Accadde a Roma \u00abVogliamo raccontare un&#8217;epoca in cui le frontiere fra i generi crollano e nuove forme si annunciano: proporre un confronto fra tradizioni e novit\u00e0, tra valori affermati e argomenti nuovi, avviare un discorso sui nuovi temi che va prendendo nel nostro tempo la poesia dello spettacolo in tutte le sue forme\u00bb. (Gerardo Guerrieri, manifesto del Premio Roma \u201969) Discorso ad un socio addormentato in poltrona Il testo appartiene al programma di sala del Teatro Club del 1957. Il pamphlet ironico dal titolo emblematico \u201cDiscorso ad un socio addormentato in poltrona\u201d \u00e8 una sorta di manifesto dell\u2019intenzione di fare di Roma una capitale europea del teatro, come Londra, Parigi, Berlino. Accadde a Roma Sullo sfondo di una Roma finora lontana dalle iniziative di rinnovamento del teatro italiano gli spettatori sono subito sorpresi e attratti da questa nuova ed inaspettata visita di altri mondi ospitati talvolta in luoghi inconsueti. https:\/\/youtu.be\/bHIy6fmFeRk Gallery 1: GLI AMICI Giulietta Masina conosceva Gerardo Guerrieri sin dal 1940 quando lui, regista del teatro sperimentale del gruppo universitario fascista di Roma, e lei, giovane attrice esordiente, avevano debuttato con Felice Viaggio di Thornton Wilder. La foto fa parte della serata dedicata a Eugene Ionesco, che si svolse il 20 aprile 1958 al Teatro Quirino di Roma con la partecipazione di illustri uomini e donne del teatro. Per far nascere l\u2019inedita iniziativa Teatro Club Gerardo Guerrieri e Anne d\u2019Arbeloff coinvolsero gli uomini di spettacolo pi\u00f9 famosi con cui avevano stretti rapporti di lavoro e amicizia. La loro iniziativa avrebbe dovuto creare nuovi spettatori oltre la logica dell\u2019allargamento del pubblico teatrale. Gallery 2: STRATEGIE E INVENZIONI Elenco del Comitato promotore del Teatro Club presente nel primo programma.\u00a0Vi figurano nomi illustri del mondo dello spettacolo e della cultura, amici e sostenitori del progetto. L\u2019obiettivo pi\u00f9 ambizioso del Teatro Club, creare dialoghi e relazioni tra le realt\u00e0 teatrali dei paesi europei ed extraeuropei, si scontrava con l\u2019esiguit\u00e0 delle risorse economiche. Per aggirare questo ostacolo, Anne e Gerardo adottarono strategie allora del tutto inconsuete: la scelta di rivolgersi ai canali degli scambi culturali sostenuti dalle ambasciate e dagli Istituti di cultura stranieri e l\u2019attenzione rivolta ai processi di costruzione degli spettacoli. Nacquero cos\u00ec le conferenze- spettacolo, i recital-collage, iniziative allora sconosciute. Gallery 3: L\u2019ALBERO CRESCE Teatro club dei giovani Il contributo straordinario di 4 milioni stanziato dal Ministero segna una svolta per il Teatro Club, dando origine al\u00a0Teatro Club Giovani. Anne d\u2019Arbeloff ne fa una missione pedagogica: avvicinare le nuove generazioni ai classici \u2013 Shakespeare, De Musset, Corneille \u2013 attraverso la traduzione simultanea, gi\u00e0 cifra distintiva del Teatro Club. La stagione 1962-63 introduce un\u2019ulteriore innovazione: il\u00a0Teatro Club Popolare. L\u2019obiettivo \u00e8 abbattere la barriera tra teatro d\u2019\u00e9lite e pubblico cittadino. Nel 1969 dal crogiolo del Teatro Club nasce il Premio Roma, destinato a dare impulso alla sperimentazione teatrale. Ne sono emblema l\u2019arrivo del Bread and Puppet Theater, Peter Weiss, Merce Cunningham, l\u2019Odin Teatret e Bob Wilson. L\u2019impulso di questo teatro rivoluzionario segner\u00e0 profondamente la scena teatrale italiana, lasciandovi un&#8217;impronta indelebile. 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